Chapter 2
I want to
open this week with a discussion on padding. Padding is the practice of
increasing your word count by adding portions of your book which don’t
contribute to the story, and that exist solely for that purpose. It can be
argued that no scene involving the main characters or recurring secondary
characters qualifies as padding, as by their nature they increase the reader’s
knowledge of said characters and thus fill the purpose of rounding them out.
For instance, a scene of the main characters in a dungeon-crawl based novel
crashing in a tavern, hanging out with each other and getting drunk is probably
not going to progress the main plot or any of the side plots, with the possible
exception of the romance sideplot. However, since it shows us how the characters
act in a situation outside of the norm it helps make them more
three-dimensional.
Even scenes
that simply take place in new locations help us get a feel for the world the
author has created, arguably giving a scene value by world-building. In some instances
the author gets carried away with this (LOTR is guilty of this), giving us a
lot of scenes that can be cut without adversely affecting the story, but that
doesn’t make them filler as they still have the purpose of expanding the
fantasy world.
The Elder
Gods second chapter opens with what could charitably be called a
‘get-to-know-you’ scene, Once again in the grotto where Zelana has made her
home. We don’t get much of a description beyond ‘the ceiling is made of rose
quartz and it can only be accessed by water’, but it’s a cave so you can’t
expect anything too interesting. Sure Zelana has lived there for literally
eons, but apparently she’s been happily composing poetry and music all that
time and so has kept herself entertained. Yes, that’s how she has spent all
that time she was hiding from her duties as the guardian of the west… I think.
It’s never really explained if the gods and goddesses HAVE any duties or
purpose, they just… are.
Anyway, next
page we find out that apparently Eleria is apparently a very fast learner and
has gotten the habit of kissing dolphins until they do what she wants. Pardon
me for a moment, I need to go and pistol-whip myself into a coma.
Ouch… Anyway, we find out that Eleria has picked up godspeak in addition to the language of the dolphins, though unlike some cosmologies this language is just used to communicate and holds no special power. As a result, events in a few chapters will make this development, SPOILERS!!! COMPLETELY POINTLESS!!!
Oh, and we
get my favorite line so far: “A wave of emotion swept over Zelana, and she felt
her own eyes clouding over.” To be fair my eyes are clouding over as well, a
cerebral hemorrhage will do that. WHAT EMOTION?!? CONTEXT, USE IT!!!
Sorry, I
failed my sanity check. Give me a moment to get my meds.
I am
perfectly fine now, and most definitely not a robot created to review in the
Irate Reader’s place. We are introduced to an obvious plot device in the form
of a large magic pearl. It is given to Eleria by the incarnation of mother sea
in the form of a giant whale. We get a dream sequence that shows the start of
the world, which does not progress the plot. However, the dream also does not
provide character development. It also does not provide new setting
information.
The dream
has no purpose. Therefore my reading it had no purpose. Therefore I have no
purpose.
Self
destruct initiated.
Aaand
that’ll teach me for buying a discount review bot. Sorry folks, I overdosed on
the meds and slipped into a bit of a coma so the emergency review bot took
over. Looks like I’m going to have to do some repairs, so I’ll quickly sum up:
This chapter could have had the important parts placed compressed into a single
paragraph at the start of the next chapter without hurting the story. Honestly,
it could have been cut and the only real effect would have been to reduce the
wordcount on the book. The character attributes it develops are never mentioned
again, the dream’s little exposition is stuff that has already been told to us
and is primarily to demonstrate that Eleria is a dreamer, which was outright
told to us last chapter. The plot point of the magic pearl has an equivalent
for each of the dreamers, but feels completely unnecessary in the context of
the story. Oh, there’s a tiny bit of clumsy foreshadowing which anyone who can
count up to eight has already worked out by this point. Untwist: The dreamers
are the next shift of gods! Which of course makes the need for the magic pearl
even more confusing. Oh well, let’s go out with the filler song, just to keep
my word count up:
(To be sung
off key, with no discernible tune. I have no illusions about my musical
ability.)
Filler!
Wonderful
filler!
Beautiful
filler!
Makes
writing a thriller
That much
chiller!
Filler!
It’s a
killer!
Filler!
Thank you
very much.
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